funny comic books

Comics From Around the World

Comics From Around the World

Comics From Around the World There are a substantial variety of comics to pick considering that their creation. They believe of daily comics and also their heroes in this nation when somebody believes concerning comic publications.


Comic publications do not constantly come from the United States. The huge bulk of the globe has comic publications.

Comics From Around the World
Comics From Around the World

France has actually had comic publications for a lengthy time. The comic publication writer normally chooses when the following installation comes out.


The quantity of comic publications that are created from France is substantial somewhat to the population, which would certainly show that it is a prominent type of enjoyment.


The British comic publications are not as well understand as their American equivalent. One of the a lot more preferred comic publications that hailed from Britain was the Judge Dredd collection brought to life by Sylvester Stallone.


It brought to light a comic publication personality from Britain, a lot of individuals did not recognize it stemmed from there.


Unlike America, where as soon as a week you can discover a brand-new version, Italian comic publications come out month-to-month as well as are normally much longer in size. The Italian comic publication authors tremendously delight in Walt Disney personalities.

Comics From Around the World
Comics From Around the World

Japan had actually asked for assistance from comic publication musicians from America to go over to discover shades, shapes and also forms to aid modify their comic publications. The outcome was the rapid development of comic publications.


It shows up that America has a huge impact of comic publications from around the globe. The globe requires a launch, and also via the consecutive styles they supply, there will certainly be an endless deluge of comic publications to check out.


The huge bulk of the globe has comic publications. The comic publication writer typically determines when the following installation comes out.


Japan had actually asked for aid from comic publication musicians from America to go over to discover shades, forms and also shapes to aid change their comic publications. It shows up that America has a huge impact of comic publications from around the globe.

Comic Ghost Rider From Comic Books To The Silver Screen

The comic ghost rider is one of giant Marvel Comics’ most successful franchises. Since its release, the comic book has already spawned several hundred issues, different spin offs, and generations of loyal fans.

It was only a matter of time when its success would attract the eyes of Hollywood movie producers and make a silver screen debut.

The comic ghost rider is just one of several Marvel comic classics to transition from page to film. Classics such as Spiderman, X-men, and the Fantastic Four have already hit the movie theaters successfully and already made enough impact to warrant sequels.

Fan favorites such as the Incredible Hulk and Iron Man have also made significant box office hits. Other classics such as Thor and The Punisher also have adaptations in the works.

A very noticeable similarity behind these successful comic to movie adaptations are compelling story lines.

The comic ghost rider has a very intricate and deep story with elements of action, horror, and the occult in just the right amounts to attract an enduring fan base.

 The advanced special effects movie makers are now capable of also add icing to the cake making scenes and visuals that were only possible in comic books a few years ago come alive in the big screen.

The comic ghost rider weaves a story around a reluctant motorcycle stuntman by the name of Johnny Blaze who strikes a deal with the devil so he can become the best in his craft.

A few years of success later the devil comes back to ask for payment in the form of service: Johnny is now given the role and abilities of a ghost rider the devils collector of damned souls.

Instead of accepting fate Blaze decides to go against the devil and begins to use his abilities to exact vengeance on evil elements of society.

Aside from the entertaining and exciting story line the comic ghost rider also does not disappoint in the creative’s department. When Blaze turns into the ghost rider, he becomes a skeleton garbed in biker clothes with a flaming skull head.

As if the ghost rider isn’t intimidating enough, he also has a monstrous motorcycle with burning wheels as his ride. The ghost rider also has a chain as his primary weapon which usually seems like it has a mind of its own and can often extend far beyond what it looks like it could.

The movie adaptation features A-list celebrities such as Nicholas Cage, Eva Mendez, and Wes Bentley. The movie promises to be a motion picture spectacle of action and special effects which makes it a definite must see movie.

Fans are definitely going to be satisfied with the motion picture release and surely a follow up of comic book spin offs would just be around the corner.

The comic ghost rider is a perfect example of one of the greatest past times the world ever had, comic books have persisted for so many generations and just like technology they grow more sophisticated and addictive as time goes by.


Comic Book Companies

The genre of the comic book culture has many ardent fans. The readership proves that true. In that venue, the proliferation of comic book companies is astonishing. There are over one hundred comic book companies and many more that are defunct.

The competitions to produce, advertise and distribute comic books are daunting. Each company tries to produce a character or characters that appeal to the masses. There are exceptions to that.

There are underground comic book companies that cater to a different segment of society. Sometimes they lead to mainstream because one or more of their characters gains acceptance. The mainstream comic book companies like to create characters that exhibit abilities that the public enjoys.

Oftentimes it works. The hero of the story is believable enough that it gains acceptance. The acceptance is crucial for the comic book company to survive the harsh struggle it has to endure.

In other circumstances, the hero or villain does not relate to the readership and it quickly fizzles into obscurity. It is a painful process to the company, or the individual, that does not fulfill its perceived duty to the readership.

All the painstaking work that goes into developing the whole spectrum of a comic book company is intimidating. The creation of a hero into an actual comic book denotes time, effort and a great deal of persistence.

If the persistence is not enough, the reader will never have the pleasure of seeing your creation into fruition.

The list of defunct comic book companies suggests that many people have tried taking the plunge into creating a comic book company and failed. Unfortunately, failure is a realistic expectation in any business venture, especially the comic book world.

When you think of comic book companies, the two biggest and most popular are the DC comics and Marvel comics.

Likewise, there are many independent comic book companies. Each one are vying for you to sustain their existence, and for your hard earned money.
The latter one is understandable. A comic book company cannot survive without paid readership. The more circulation, the greater the money. Supply and demand. The law of economics. All of those maxims hold true.
Once the comic book company gains credence, their ability to construct more characters enhance their share of the market.

The comic book figures are a representation of the comic book company. Marvel comics contain more cosmic powered heroes and villains than its main competition. DC has a horde of figures that originate from outside the confines of earth, but do not possess nearly the power levels of Marvel.

Other comic book companies, such as Dark Horse comics, use licensed merchandising figures such as Star Wars and Buffy the vampire slayer.

Since Dark Horse comics is the third largest of the comic book companies, it must work. Using established characters from television and the movies was a natural extension of the comic book world.

The popularity of the characters was well known so the market was already in place.

A comprehensive list of current and defunct comic book companies is easy enough to obtain. The reasons behind the success and failure are another matter. Some of the reasons expounded in this article should make them more lucid.


The Comic Book Code Authority

The comic book code authority was formed in 1954 because people believed that the comic book industry was becoming too graphic and violent.

The content was deemed inappropriate for the populace. Some of the restrictions included the misrepresentation of the police, judges and governmental representatives.

In addition, the drawings of vampires and werewolves were prohibited. Titles could not use terminology like “horror” or “terror”.

While the comic book authority had no legal jurisdiction over the comic book publishers, they yielded a large influence. Some comic book companies went out of business while others prospered. The restrictions placed were meant to help society deal with the comic book industry.

Society began to loosen some of the taboos of that time, and the furor over the language suggested that the loosened traits needed to be reined in. In such times, it becomes necessary to look at why the comic book code authority was set up.
In 1954, McCarthyism was at its peak. Censorship abounded and the who, what, why, where and when all dealt with Communism.
A natural branch with that scenario was the printed material. While there are no direct links to such a statement, one must consider what was transpiring during the period.
Celebrities were blacklisted if deemed
outside of conventional standards. Comic books could have linked the publisher with Communist propaganda if the material was considered subversive in nature.

Again, this is conjecture on my part. Any words or statements can be intentionally misconstrued and false analogies can be applied.

Another prominent explanation is a book written by Dr. Frederic Wertham entitled ‘The seduction of the innocent’. In the book, Dr. Wertham espoused that the super hero genre had helped incite the rise of young people’s misbehavior.

The public chorus of disapproval was pivotal in the implementation of the comic book code authority. Both issues helped sustain the need for something to be done.

The mentality was in place until the 1960’s with the advent of the flower child era. Without the suppression, underground comics took on a life of their own. They developed comic books that were distributed through unconventional means.

That process enabled the fledging comic book industry not to adhere to the restrictions the comic book code suggested.
In 1971 Stan Lee, the editor- in -chief did a three part mini series of Spiderman that depicted banned drug use. The code stated that the topic of drug use was prohibited, so Stan Lee took the seal off for the three issues and then put it back on.
That took a lot of courage to defy the code. Considering the wide spread use of illicit drug use, that was an important step.

If a topic that is controversial is banned in comic books, then how do you draw attention to its negative side affects? That was the quandary the comic book code authority faced. It did not want to become irrelevant.

In the 2000’s the influence of the comic book code started to diminish. More and more publishers wanted to branch out and create comic books that illustrated topics that were more controversial.

The comic book code authority of today is not what it used to be. Marvel comics no longer align themselves. Instead, they created their own code.

Some of DC comics still submit to the comic book authority, but will publish it despite their ruling. Archie comics regularly send their comic books to the comic book authority for approval.

What was once a powerful and prominent organization has been reduced to a minor player in the comic book world.

Comic How To Draw Graphic Novel Making As A Hobby
Comic books or graphic novels have been one of the most popular past time of people young and old. Something about illustrated panels makes story telling a lot easier and a lot more attractive to potential readers.

Comics have evolved to more sophisticated forms of literary art since its humble beginnings of newspaper comic relief.

Nowadays, comic books can talk about various themes even deeper ones such as social issues and politics. Due to its popularity, more and more people are getting into making their own comic books for fun, acquiring comic how to draw techniques are great ways of supplementing this pursuit.

A crucial element in making a comic book is creating an interesting storyline. Contrary to popular belief, art or illustration is only a secondary contributor to a successful comic.

A compelling story line is important in drawing a reader’s attention and building up interest to keep the reader reading from page to page.

Establishing a storyline is also important to determine crucial points of the story where best to apply suitable comic how to draw techniques, by establishing crucial or climactic scenes an illustrator knows when to exaggerate or allocate proper panels.

Basic comic how to draw techniques

Knowing how to draw elements like backgrounds and characters is one thing but knowing how best to depict a certain scene calls on more technical skills.

There are some basics a novice comic book illustrator should be aware of, these basic comic how to draw techniques are but not limited to:

1. Story boarding – once an illustrator has a story he or she wants to illustrate a storyboard or a basic skeletal framework of the story should be done.

The story board need not be pretty but needs to show the basic flow of the story. The story board is what the illustrator refers to ensure that he is kept in track of where the story should lead to.
2. Paneling – A comic book illustrator must allocate a certain number of panels per page, each panel depicts a certain scene so it is very important to allocate larger panels for more dramatic or crucial scenes.
3. Exaggeration – A comic illustrator should learn to exaggerate certain drawn in elements to emphasize crucial points of the story. Some common exaggerations are:
a. Zooming into a certain object
b. Changing visual perspectives
c. Changing colors or sharpening images
d. Adding effects such as blurs or dodges
4. Bleeding – a very common comic how to draw technique is called bleeding. It is when an element from one panel is drawn in a way where it “bleeds” out towards another panel.

This can add aesthetics and overall appeal to a comic book or graphic novel.

These are just fairly simple and basic comic how to draw techniques that can help a novice comic book illustrator start.

As an illustrator begins to grasp all the concepts other advanced techniques will become apparent, as all other hobbies comic illustration can only get better as time goes by.

The globe requires a launch, and also via the consecutive styles they give, there will certainly be an endless deluge of comic publications to review.


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